This study presents the contemporary Islamic resurgence movement among young people in Bandung Indonesia, focusing on its emergence, development and routinisation. It traces various factors and conditions that contributed to the emergence of the movement. It also tries to explain how and why young people (students in particular) turn to Islam, and how the movement is organised and developed among students. Finally, it examines internal changes among various Islamic groups as responses to social, political and cultural changes.

This thesis focuses on the relationship of Indonesian kiai (‘ulama: religious leaders) in Jombang to their wider social and political situation. It argues that the charismatic authority exerted through the leadership of the kiai in Java has limitations in terms of its legitimacy. At the very least it has boundaries that determine areas or circumstances for its legitimate expression. It also argues that the kiai’s influence in politics is not as strong as in other domains. Despite being a charismatic figure, only a minority of followers feel compelled to follow the kiai’s political example.

In Signs of the Wali, Dr Tommy Christomy focuses on the one of the early founders of Islam on Java, Shakyh Abdul Muhyi, whose burial site at Pamijahan in Tasikmalaya is a place of contemporary ziarah. This study initially conceived of as a philological exploration of historical manuscripts has been transformed into a study of ‘living manuscripts’ – the contemporary narratives of the custodians at Pamijahan.

The Prosperous Justice Party (PKS) is the most interesting phenomenon in contemporary Indonesian politics. Not only is it growing rapidly in membership and electoral support, it is also bringing a new and markedly different approach to Islamic politics, one which has no precedent in Indonesian history.

Understanding PKS and analysing its political behaviour presents challenges to scholars and observers. This is partly due to the fact that the party represents a new trend within Indonesian Islam which has few parallels with preceding movements.

This study examines the emergence of new forms of Islamic spirituality in Indonesia identified as Majlis Dhikr. These Majlis Dhikr groups have proliferated on Java in the last two decades, both in urban and rural areas, and have attracted followers from a wide social background.

‘This book may claim to be no more than a history of the HRC at ANU. It is, of course, much more than that. It is certainly an examination of the role and predicament of the humanities within universities and the wider community, and it contributes substantially to the ongoing debate on an Australian identity.’

Malcolm I. Thomis

This volume brings together historians of imperialism and race, travel and modernity, Islam and India, the Pacific and the Atlantic to show how a ‘transnational’ approach to history offers fresh insights into the past. Transnational history is a form of scholarship that has been revolutionising our understanding of history in the last decade. With a focus on interconnectedness across national borders of ideas, events, technologies and individual lives, it moves beyond the national frames of analysis that so often blinker and restrict our understanding of the past.

The frontier is one of the most pervasive concepts underlying the production of national identity in Australia. Recently it has become a highly contested domain in which visions of nationhood are argued out through analysis of frontier conflict.

This cross-disciplinary exploration of the role of the sacred, blasphemy and sacrilege in a multicultural society brings together philosophers, theologians, lawyers, historians, curators, anthropologists and sociologists, as well as Christian, Jewish and Islamic and secular perspectives. In bringing together different disciplinary and cultural approaches, the book provides a way of broadening our conceptions of what might count as sacred, sacrilegious and blasphemous, in moral and political terms.

The author’s contention is that Chekhov’s plays have often been misinterpreted by scholars and directors, particularly through their failure to adequately balance the comic and tragic elements inherent in these works. Through a close examination of the form and content of Chekhov’s dramas, the author shows how deeply pessimistic or overly optimistic interpretations fail to sufficiently account for the rich complexity and ambiguity of these plays.