Chinese journalism is dead—long live Chinese journalism! The dramatic transformations in China’s media landscape over the past decade have led many to declare the death of quality journalism in the country. The Party-State’s tightening grip on information, the dismantling of once vibrant investigative outlets, and the growing precarity of media professionals seem to confirm this narrative. And yet, as traditional spaces for critical reporting shrink, new modes of journalistic practice continue to emerge, often in dispersed and unexpected forms.

This book examines the concept of ‘Strategic Imagination’ developed by Brendan Sargeant during his distinguished career at the Australian Department of Defence and later as a scholar at the Strategic and Defence Studies Centre (SDSC), The Australian National University. His tragic passing has left this powerful idea awaiting a proper examination. This volume seeks to provide that scholarly account and carry both the concept and Brendan’s legacy forward.

The Wild Australia Show was a troupe of 27 Aboriginal performers recruited from northern Queensland in the 1890s for a world tour that would culminate at the World’s Columbian Exposition in Chicago in 1893. Those grand plans were ultimately dashed, and the troupe only performed in Brisbane, Sydney and Melbourne before disbanding. This book tells the story of the Wild Australia Show from its inception to its afterlives.