The 2025 Lilith presents four research articles focused on gender-based issues and experiences in twentieth-century Australia and Britain. The Australian-focused articles examine Lillie Beirne’s maternal feminism and related campaigns for social credit in the 1930s and 1940s, and how the ‘Citrus Queen’ beauty pageants of South Australia’s Riverina region articulated ideals of Anglo-Australian womanhood while also creating space for migrant women to participate in civic life and assert regional belonging.

The 2025 Australian federal election saw an unexpected landslide victory for the Labor Party, the Liberal Party’s worst ever result and the continued rise of the non-major-party vote. In this book, Australia’s leading election analysts explore what contributed to this outcome, including the effectiveness of party and third-party campaigns, the changing demography of the electorate and external factors such as the ‘Trump effect’.

Peter Marralwanga (1916–1987) was a leading figure in one of the great art practices of the world. He grew up in western Arnhem Land surrounded by artists painting in rock shelters and he learned to paint this way himself. The subjects of his paintings were the Djang who made his country and placed the spirits of people within it. Marralwanga’s story highlights the way bark painting became important as a way of evading assimilation policies rife within Northern Territory towns.