Luke Taylor
Luke Taylor is an anthropologist who has worked in western Arnhem Land since 1981, mainly with the Aboriginal artists of the region, including Peter Marralwanga. Luke was a Senior Curator at the National Museum of Australia (1991–2000) and Director of Research and then Deputy Principal of the Australian Institute of Aboriginal and Torres Strait Islander Studies (2000–2013). He has published widely on Aboriginal art and contributed to numerous exhibitions of western Arnhem Land bark paintings.
https://orcid.org/0000-0002-5706-2056
Peter Marralwanga »
Painter of the Djang of western Arnhem Land
Authored by: Luke Taylor, Ivan Namirrkki
Publication date: March 2026
Peter Marralwanga (1916–1987) was a leading figure in one of the great art practices of the world. He grew up in western Arnhem Land surrounded by artists painting in rock shelters and he learned to paint this way himself. The subjects of his paintings were the Djang who made his country and placed the spirits of people within it. Marralwanga’s story highlights the way bark painting became important as a way of evading assimilation policies rife within Northern Territory towns. Marralwanga established an outstation at Marrkolidjban where he could teach his children how to properly care for Ancestral lands, with part of this care involving a knowledge of how to paint. As a senior person who had travelled widely in his youth, and gained extensive ceremonial knowledge, Marralwanga was highly influential among a broad group of painters. Ivan Namirrkki, a painter of note and Peter Marralwanga’s son, has provided here his own account of his father’s life.
This book tracks Marralwanga’s life of learning about country and conveys the religious meaning of numerous major works, offering outsiders a richer understanding and appreciation of Arnhem Land art. It also shows the crucial role of individuals working for the community arts cooperative Maningrida Arts and Culture in facilitating Marralwanga’s rise to recognition as a major Australian and world artist.
Extensively illustrated, Peter Marralwanga: Painter of the Djang of western Arnhem Land is a study of unique knowledge and beauty.
‘There are only a handful of studies that give such brilliant, in-depth, serious analysis of an individual Aboriginal Australian artist’s life and work. The combination of genealogical, cultural and thematic analysis is superb.’
—Dr Henry Skerritt, University of Virginia
‘Australia’s foremost expert on the bark art of West Arnhem Land provides an exceptional biography of the complex cultural life and oeuvre of the late Peter Marralwanga. This is at once highly accessible, superbly illustrated, well researched and highly collaborative. It is an important resource for art historians, anthropologists and most importantly regional audiences of Aboriginal (Bininj) people determined to maintain the bark painting tradition that is so central to their livelihood and identity.’
—Emeritus Professor Jon Altman, The Australian National University
Format: Hardback