Asian Studies Series

This biographical study of an unusual southern policeman explores the relationship between religion and power in Thailand during the early twentieth century when parts of the country were remote and banditry was rife.

Photography has been a key means by which Australians have sought to define their relationships with Japan.

This book introduces readers to modern Thai literature through the themes of modernity, nationalism, identity and gender.

In Asia today, the grand ideologies of the past have lost their power over the popular imagination. Even in many of the region’s democracies, popular engagement in the political process faces profound challenges.

This book represents volume one of the writings of David Sissons, who for most of his career pioneered research on the history of relations between Australia and Japan.

By 2000, a ruthless military regime had ruled Myanmar for more than a decade, polarising opinion inside and outside Burma/Myanmar — with Western countries locked into non-UN sanctions and Asian countries and the rest of the world locked into unent

“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making

This book is a historical study of the Tajiks in Central Asia from the ancient times to the post-Soviet period.

During the Second World War, Australia maintained a super-secret organisation, the Diplomatic (or ‘D’) Special Section, dedicated to breaking Japanese diplomatic codes.

The book analyses the results of a large scale victimisation survey that was conducted in 2005–06 with businesses in Hong Kong, Shanghai, Shenzhen and Xi’an.

Indonesia’s President Soeharto led one of the most durable and effective authoritarian regimes of the second half of the twentieth century.

These seven essays by the most recent English translator of The Tale of Genji emphasize three major interpretive issues. What is the place of the hero (Hikaru Genji) in the work?