Nicholas Loubere
Nicholas Loubere, Associate Senior Lecturer in the Study of Modern China at the Centre for East and South-East Asian Studies, Lund University. His research examines socioeconomic development in rural China, with a particular focus on microcredit and migration.
https://orcid.org/0000-0002-2386-5643
Made in China Journal: Volume 9, Issue 2, 2024 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: 2025
Chinese journalism is dead—long live Chinese journalism! The dramatic transformations in China’s media landscape over the past decade have led many to declare the death of quality journalism in the country. The Party-State’s tightening grip on information, the dismantling of once vibrant investigative outlets, and the growing precarity of media professionals seem to confirm this narrative. And yet, as traditional spaces for critical reporting shrink, new modes of journalistic practice continue to emerge, often in dispersed and unexpected forms. From citizen-led investigations and social media exposés to transnational collaborations, Chinese journalism has not disappeared—it has adapted. This issue of the Made in China Journal explores the shifting terrain of journalistic production in and about China, tracing the resilience, reinvention, and risks that define the profession today.
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Made in China Journal: Volume 9, Issue 1, 2024 »
Publication date: August 2024
A new Chinese government textbook for university students, An Introduction to the Community of the Zhonghua Race (中华民族共同体概论), promotes President Xi Jinping's vision for governing the country’s diverse population. This approach shifts away from celebrating cultural differences—what the anthropologist Susan McCarthy once termed ‘communist multiculturalism’—and towards a Han-dominant identity, a form of racial nationalism inspired by sociologist Fei Xiaotong’s concept of ‘multiple origins, single body’ (多元一体). While the constitution of the People’s Republic of China as amended in 2018 guarantees minority rights and political autonomy through the framework of ‘minority nationalities’ (少数民族), the textbook suggests that Tibetan, Uyghur, Mongols, and other Indigenous groups should eventually assimilate into Han culture, raising concerns about the future of minority languages and traditions. Xi Jinping's new approach to national unity faced significant resistance from both minority and Han officials. Yet, this resistance only prompted an even more muscular response: revamping government departments, a harsh crackdown in minority-populated areas, and removing minority officials who oversaw ethnic affairs. In this issue of the Made in China journal, we ask contributors to reflect on the state of ethnic minority culture in the wake of Xi’s new ethno-nationalist order and explore what remains of cultural differences at the end of dreams of communist pluralism and ethnic autonomy.
Made in China Journal: Volume 8, Issue 1, 2023 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: November 2023
The year 2023 began with a series of jolts in China, as the government abruptly rolled back its notoriously strict pandemic measures following countrywide protests in late 2022. While external popular perceptions saw China as being uniformly locked down for the first years of the pandemic, the reality was that the country’s pandemic governance was unevenly applied and varied substantially from place to place. The result was mixed—and often even contradictory—attempts to control the spread of SARS-CoV-2, with vastly differentiated experiences on the ground. While heterogeneous and fragmented governance in China is nothing new—and indeed is the basis of how most scholars understand policy implementation in the country—the pandemic nevertheless produced patterns of governance that were at times surprising, while also reinforcing previous trends. This issue of the Made in China Journal examines patterns of pandemic governance and the subjectivities associated with living through lockdown and the ever-present possibility of quarantine.
Made in China Journal: Volume 7, Issue 2, 2022 »
Publication date: December 2022
In 2020, Chinese Communist Party general secretary Xi Jinping pledged to ‘transition to a green and low-carbon mode of development’, as well as to ‘peak the country’s CO2 emissions before 2030 and achieve carbon neutrality before 2060’. Xi’s pledge offered a tangible example of what has come to be known as the ecological civilisation (生态文明)—the idea of engineered harmony between humans and nature that was recently incorporated into the Constitution of the People’s Republic of China. But what kind of engineering is required for sustainable transitions at this scale and pace? Through which political concepts and technical practices could such a harmonious rebalancing of China’s resource-devouring development be envisioned and achieved?
This issue of the Made in China Journal addresses these questions by borrowing political theorist John Dryzek’s rereading of the Greek myth of Prometheus. Inspired by the story of a demigod who stole the technology of fire for the sole purpose of human advancement, Prometheanism describes an eco-modernist orientation that perceives the Earth as a resource whose utility is determined primarily by human needs and interests and whose environmental problems are overcome through continuous political and technological innovation. In contrast with other environmental perspectives, Prometheanism prioritises human interests and needs over those of ecosystems or the individual needs of other lifeforms. Through this framework, we asked our contributors to offer their takes on the following questions: To what extent can Xi’s dream of an ecological civilisation be understood in terms of techno-optimism and the anthropocentrism that characterise Prometheanism? What price is China paying in its effort to transition towards a heavily engineered ‘sustainable’ market utopia?
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Made in China Journal: Volume 7, Issue 1, 2022 »
Publication date: August 2022
Cultural theorist Svetlana Boym famously distinguished two types of nostalgia: a restorative one that ‘manifests itself in total reconstructions of monuments of the past’; and a reflective one that ‘lingers on ruins, the patina of time and history, in the dreams of another place and another time’. But nostalgia is not necessarily only backward-looking. Rather, it can represent a feeling of longing for a future yet to be lost or even realised. For the historian Roxanne Panchasi, nostalgia may originate in the ways in which people anticipate and plan their lives around an expected future. This anticipated future, Panchasi intimates in her 2009 book Future Tense, ‘can tell us a great deal about the cultural preoccupations and political perspectives of the present doing the anticipating’. In these and other ways, nostalgia can actualise in cultural expression and performance within communities of nostalgia and as immersive environments that shine a light on past trauma to move closer to reconciliation. Contributors to this issue of the Made in China Journal explore the workings of nostalgia in people’s memories and spaces in China from a variety of perspectives to uncover how and why admirers of the Maoist and post-socialist eras express their longings for pasts real, imagined, and somewhere in between.
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Made in China Journal: Volume 6, Issue 3, 2021 »
Edited by: Ivan Franceschini, Nicholas Loubere, Shui-yin Sharon Yam
Publication date: March 2022
In 2019 and 2020, Hongkongers witnessed—and, in many cases, participated in—one of largest and most exacting grassroots movements in the city’s history. Triggered by a proposed Extradition Bill and fuelled by a decades-long struggle for democracy and political freedom, the decentralised protest quickly seeped into the city’s everyday life. While some of the protestors confronted the police in black blocs, others participated in strikes, sit-ins, and economic boycotts. To suppress the movement, the Hong Kong police deployed an alarming use of force and violence. To put an end to the movement once and for all, in June 2020 the Chinese and Hong Kong government abruptly implemented the National Security Law (NSL), effectively rendering any expressions of dissent seditious and illegal. Since then, prominent pro-democracy activists and politicians have either gone into exile or have been imprisoned under the NSL; books penned by activists have been removed from the shelves of public libraries; key historical events and political concepts have been censored from textbooks; and around 60 advocacy groups and independent media outlets were forced to disband. Given the chilling effect of the NSL, many Hongkongers have chosen to emigrate. Amid this ongoing crackdown, this issue of the Made in China Journal takes stock of the aftermath of the protest movement and reflects on the sociopolitical changes that are taking place in Hong Kong’s political and civil society in the post-NSL era.
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Xinjiang Year Zero »
Publication date: January 2022
Since 2017, the Chinese authorities have detained hundreds of thousands of Uyghurs, Kazakhs and other Muslim minorities in ‘reeducation camps’ in China’s northwestern Xinjiang autonomous region. While the official reason for this mass detention was to prevent terrorism, the campaign has since become a wholesale attempt to remould the ways of life of these peoples—an experiment in social engineering aimed at erasing their cultures and traditions in order to transform them into ‘civilised’ citizens as construed by the Chinese state. Through a collection of essays penned by scholars who have conducted extensive research in the region, this volume sets itself three goals: first, to document the reality of the emerging surveillance state and coercive assimilation unfolding in Xinjiang in recent years and continuing today; second, to describe the workings and analyse the causes of these policies, highlighting how these developments insert themselves not only in domestic Chinese trends, but also in broader global dynamics; and, third, to propose action, to heed the progressive Left’s call since Marx to change the world and not just analyse it.
‘Xinjiang Year Zero provides an analysis of the processes of dispossession being experienced by Uyghurs and other indigenous peoples of China’s Uyghur region that is sorely needed today. Most politicians and their followers today, whether on the left or the right, view what is happening to the peoples of this region through a twentieth-century lens steeped in dichotomies that are obsolete in describing the nature of states today—those of capitalism vs socialism and democracy vs totalitarianism. The contributors to this volume explore what is happening in Xinjiang in the context of the twenty-first century’s racialised and populist-fuelled state power, global capitalist exploitation, and ubiquitous surveillance technology. At the same time, they invite the reader to reflect on how the processes of dispossession in the Uyghur region during the twenty-first century are repeating the colonial practices of the nineteenth and twentieth centuries that have shaped our current global system of inequality and oppression. The result offers an analysis of what is happening in Xinjiang that emphasises its interconnectedness to what is happening around us everywhere in the world. If you believe that the repression in this region is a fabrication to ‘manufacture consent’ for a cold war between the “West” and China, you need to read this book. Afterwards, you will understand that if you want to stop a return to the twentieth-century geopolitical conflicts embodied in the idea of a cold war, you must establish solidarity with the Indigenous peoples of China’s northwest and call for the end to the global processes fuelling their dispossession both inside China and outside.’
— Sean R. Roberts, Director of International Development Studies, The George Washington University’s Elliott School of International Affairs, and author of The War on the Uyghurs
‘Xinjiang Year Zero provides a highly readable and utterly necessary account of what is happening in Xinjiang and why. By showing how the mass detentions of Uyghurs and other Xinjiang Muslims are linked to both global capitalism and histories of settler colonialism, the edited book offers new ways of understanding the situation and thus working toward change. A must-read not only for those interested in contemporary China, but also for anyone who cares about digital surveillance and dispossession around the globe.’
— Emily T. Yeh, University of Colorado Boulder, author of Taming Tibet: Landscape Transformation and the Gift of Chinese Development
‘The crisis in Xinjiang has engendered its own crisis of interpretation and action at a time of growing geopolitical rivalry: how to condemn the atrocities without supporting hawkish voices, particularly among US politicians, who seek to Cold War-ise the US relationship with “Communist China”? How to critique China for colonialism, racism, assimilationism, extra-legal internment, and coerced labour when many Western nations are built on a history of those same things? Xinjiang Year Zero not only provides non-specialists a thorough, readable, up-to-date account of events in Xinjiang. This much-needed book also offers a broader framing of the crisis, drawing comparisons to settler colonialism elsewhere and revealing direct connections to global capitalism and to the rise of technological surveillance everywhere.’
— James A. Millward, Georgetown University, author of Eurasian Crossroads: A History of Xinjiang
Made in China Journal: Volume 6, Issue 2, 2021 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: December 2021
Since its announcement in 2013, the Belt and Road Initiative (BRI) has become the main lens through which both observers and stakeholders trace China’s global footprint. Whether cheered on as a new engine of economic development in a fraught and increasingly unequal world or frowned on as a masterplan through which the Chinese authorities are attempting to establish global hegemony, the infrastructure component of the BRI has become such an important frame in discussions of Global China that less tangible aspects that are not in its purview tend to be lost or overlooked. One of these neglected dimensions is China’s long history of international engagement aimed at building economic, political, social, and cultural ties in both the Global North and the Global South. Frequently, we tend to forget how the international presence of Chinese actors we are currently observing did not just happen overnight, but was built on decades of experience of China’s interaction with the rest of the world. In the belief that examining these historical precedents can help us shed light on both the continuities and the discontinuities in the practices of today and that only by digging into the dirt of history can we excavate the roots of the dynamics we are witnessing, this issue is dedicated to the ‘archaeologies of the BRI’.
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Made in China Journal: Volume 6, Issue 1, 2021 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: July 2021
In the spring of 2021, China’s central authorities issued a policy that seeks to change norms of China’s civil society that have been established over the past 30 years. At a moment that portends a closing of space for unregistered NGOs and a possible shift in the ways NGOs can emerge, evolve and cooperate with other social and state entities, we thought it important to look back to revisit the development of China’s civil society over the past decades. Not only is this exercise important in enabling us to understand the shifts now taking place, but it also reminds us of the possibilities that once were, and the possible futures that may be. With this issue we wanted to bring together practitioners, whose experience of running or participating in organisations and initiatives is invaluable both in and of itself, but also in helping us to reflect. We sought to bring their insights together with those of scholars who also have a deep interest, and often practical experience, in China’s organised civil society, studying its different aspects and dynamics. We hoped, too, to capture something of the vibrant diversity of organised civil society during its early (re-)emergence in the 1990s and to remember, as best we could, some of the early pioneers and possibilities.
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Made in China Journal: Volume 5, Issue 3, 2020 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: February 2021
China’s increased global engagements in recent years have been the source of unending controversies. While public attention generally focuses on geopolitical, economic or even environmental issues, labour also plays an important part in emerging narratives surrounding the ‘spectre of global China’. The media in countries that have received a significant influx of investment from mainland China has often complained about ‘invasions’ of Chinese workers, who are allegedly snatching away job opportunities from local workers. In many places, there are pervasive rumours that Chinese workers are nothing less than convicted felons sent abroad by the Party-State to expiate their crimes, which would explain why they seem to work without interruption day and night, at a pace that some believe no free person would deem acceptable. This has also led to concerns that workers from China are playing an important role in driving down labour standards in countries where institutions are weak and legal enforcement lacking. Inflows of Chinese workers have also been associated with surges in crime and prostitution that supposedly have wrought havoc on local communities. In the best of circumstances, these narratives flatten the figure of the Chinese worker abroad into that of an agent unwittingly promoting the agenda of the Chinese Party-State abroad; in the worst, they frame these overseas Chinese labourers as criminals. In so doing, the complex dilemmas that these workers face, their inner conflicts and the rights violations that they themselves are subjected to go unnoticed. This issue challenges these prejudices and provides some glimpses into the subjectivities and the plight of Chinese workers toiling abroad today.
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Made in China Journal: Volume 5, Issue 2, 2020 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: October 2020
The most Gothic description of Capital is also the most accurate. Capital is an abstract parasite, an insatiable vampire and zombie-maker; but the living flesh it converts into dead labor is ours, and the zombies it makes are us. There is a sense in which it simply is the case that the political elite are our servants; the miserable service they provide for us is to launder our libidos, to obligingly re-present for us our disavowed desires as if they had nothing to do with us.
– Mark Fisher, Capitalist Realism (2009)
Ghostly analogies drawn from the gothic imaginary are common in the Marxist canon, with the most famous case in point being the incipit of Marx and Engels’s Manifesto of the Communist Party, where readers are told that ‘the spectre of communism’ is haunting Europe. Far from being considered curious aberrations, these preternatural metaphors have given rise to a whole literature on spectral capitalism that spans to our present stage of late capitalism. In the 1980s, Aihwa Ong made waves with her study of spirit possessions on the shop floors of modern factories in Malaysia, in which she argued that these spectres represented a form of resistance by workers otherwise powerless in the face of capital. In another instance from the 1990s, Jean and John Comaroff introduced the idea of ‘occult economies’ to make sense of the wave of episodes in which real or imagined magical means were deployed in pursuit of material gains that occurred in South Africa after the end of apartheid. While both conceptualisations received a fair share of criticism—not least for presenting the ghosts of capitalism as dreams and the anthropologist as the psychoanalyst instead of dealing with the proper social and historical context of these phenomena—this issue of the Made in China Journal cuts the Gordian knot by focusing on how individuals in China and other contexts in Asia live and interact with the supernatural. In some cases, ghosts, fortune-tellers, shamans, sorcerers, zombies, corpse brides and aliens merely assist people to get by and cope with the difficulties they face in their daily lives; in others, these beings play subversive roles, undermining the rules that underpin contemporary society. In both cases, they challenge the status quo, hence the title ‘spectral revolutions’.
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Made in China Journal: Volume 5, Issue 1, 2020 »
Publication date: May 2020
‘Art must not be concentrated in dead shrines called museums. It must be spread everywhere—on the streets, in the trams, factories, workshops, and in the workers’ homes.’
— Vladimir Mayakovsky, 1918
With these words, the great Soviet poet addressed the key question of how to bring art to people and people to art in a new world in which old aristocracies, elites, and their aesthetic privileges were fading away. In the words of art theorist Boris Groys, ‘the world promised by the leaders of the October Revolution was not merely supposed to be a more just one or one that would provide greater economic security, but it was also and in perhaps in even greater measure meant to be beautiful.’ Walking in these steps, the Chinese Revolution was a project of further experimentation and creation in the realm of the relationship between art and the people. The world it created was at once utopian and disfigured, radiant and desolate. While today that world is no longer, the questions it raised about the relationship between the working class, artistic production, and aesthetic appreciation remain with us. This issue of the Made in China Journal offers a collection of essays that examine the ‘work of arts’, intended as the extension of art beyond the confines of the museum and into the spaces of ordinary life and production.
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Made in China Journal: Volume 4, Issue 3, 2019 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: September 2019
Bless you prison, bless you for being in my life. For there, lying upon the rotting prison straw, I came to realise that the object of life is not prosperity as we are made to believe, but the maturity of the human soul.
— Alexandr I. Solzhenitsyn, The Gulag Archipelago (1918-1956)
With these words, Soviet star dissident Aleksandr Solzhenitsyn exalted the transformative role of the gulag—where he had been imprisoned for eight years—in reconfiguring his soul. Just like his account of life in the labour camps played a fundamental role in shaping public perceptions of the Soviet labour camps, our views of the Chinese detention system are also widely shaped by the writings and testimonies of former political prisoners, whether victims of the mass campaigns of the Mao era or more recent crackdowns against dissident voices. Reading these accounts, detention easily assumes the tragic connotations of martyrdom, and detainees come to be surrounded by a halo of heroism. But what about those uncountable prisoners who are detained for common crimes or less-noble causes? What about the reality of murderers, thieves, drug addicts, and prostitutes? Is prison a blessing for them too?
This issue of the Made in China Journal aims to provide a more balanced account of Chinese experiences of detention by examining situations as diverse as reeducation camps in Xinjiang, forced detox camps for drug addicts, involuntary hospitalisation of people with mental health problems, the contested legacies of labour camps from the Maoist past, and the latest reforms in the fields of Chinese criminal justice. Such grim analyses are also key to understanding the upheavals that are currently taking place in Hong Kong. We should not forget that the popular mobilisations of these past months began in response to attempts by the Hong Kong authorities to pass an extradition bill that would have established a new case-by-case model to transfer fugitives to any jurisdiction that the former British colony lacks a formal agreement with, including mainland China. Reading the accounts included in this issue of the journal, it is not difficult to understand why this became a flashpoint.
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Made in China Journal: Volume 4, Issue 2, 2019 »
Publication date: June 2019
We shall sing the great masses shaken with work, pleasure, or rebellion: we shall sing the multicolored and polyphonic tidal waves of revolution in the modern metropolis; shall sing the vibrating nocturnal fervor of factories and shipyards burning under violent electrical moons; bloated railroad stations that devour smoking serpents; factories hanging from the sky by the twisting threads of spiraling smoke; bridges like gigantic gymnasts who span rivers, flashing at the sun with the gleam of a knife; adventurous steamships that scent the horizon, locomotives with their swollen chest, pawing the tracks like massive steel horses bridled with pipes, and the oscillating flight of airplanes, whose propeller flaps at the wind like a flag and seems to applaud like a delirious crowd.
— Filippo Tommaso Marinetti, The Manifesto of Futurism (1909, translated by R.W. Flint)
Although the smoking serpents of erstwhile have been replaced by the sinuous lines of aseptic high-speed trains, and steamships have long disappeared from the horizon, these words penned by an Italian poet at the beginning of the twentieth century are a surprisingly apt description of the infrastructural frenzy that has overcome China in recent history.
Rushing to catch up after the political turmoil of the twentieth century, over the past four decades the Chinese authorities have been remoulding the urban and rural landscapes in the service of economic growth. Starting from the township and village enterprises and special economic zones of the 1980s, factories have sprung up everywhere in China, boosting a new industrial revolution that has carried the country’s economic miracle well into this century. This was before the Party-state decided that it was time to launch a new green tidal wave of revolution in the now-postmodern metropolis, in an attempt to sever the pillars of spiralling smoke that used to link these plants to the sky (but in so doing, also forcing an entire working class to set their eyes to the ground).
New highways and high-speed railways now crisscross the country, enabling the great masses shaken with work, pleasure, and (little) rebellion to travel with an ease and a speed never experienced before. Bridges of unprecedented length span rivers and seas, bringing together places and people that do not always desire to be connected. If there is a place where the futurist utopia of the early twentieth century has come to fruition, it is China. It is to this infrastructural fever that we dedicate this issue of the Made in China Journal.
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Afterlives of Chinese Communism »
Political Concepts from Mao to Xi
Publication date: June 2019
Afterlives of Chinese Communism comprises essays from over fifty world- renowned scholars in the China field, from various disciplines and continents. It provides an indispensable guide for understanding how the Mao era continues to shape Chinese politics today. Each chapter discusses a concept or practice from the Mao period, what it attempted to do, and what has become of it since. The authors respond to the legacy of Maoism from numerous perspectives to consider what lessons Chinese communism can offer today, and whether there is a future for the egalitarian politics that it once promised.
Dog Days »
Made in China Yearbook 2018
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: April 2019
According to the Chinese zodiac, 2018 was the year of the ‘earthly dog’. In the middle of the long, hot, and feverish dog days of the summer of 2018, some workers at Shenzhen Jasic Technology took their chances and attempted to form an independent union. While this action was met by the harshest repression, it also led to extraordinary demonstrations of solidarity from small groups of radical students from all over the country, which in turn were immediately and severely suppressed. China’s year of the dog was also imbued with the spirit of another canine, Cerberus—the three-headed hound of Hades—with the ravenous advance of the surveillance state and the increasing securitisation of Chinese society, starting from the northwestern region of Xinjiang. This Yearbook traces these latest developments in Chinese society through a collection of 50 original essays on labour, civil society, and human rights in China and beyond, penned by leading scholars and practitioners from around the world.
Made in China Journal: Volume 4, Issue 1, 2019 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: March 2019
Sun and moon have no light left, earth is dark; / Our women’s world is sunk so deep, who can help us? / Jewelry sold to pay this trip across the seas, Cut off from my family I leave my native land. / Unbinding my feet I clean out a thousand years of poison, / With heated heart arouse all women’s spirits. / Alas, this delicate kerchief here / Is half stained with blood, and half with tears.
— Qiu Jin, 1904 (translated by Jonathan Spence)
As she bode farewell to China in the summer of 1904, early revolutionary Qiu Jin penned these words to bemoan the fate of herself and of uncountable Chinese women. She was leaving behind her husband—whom she had married out of obligation—and two young children to go to study in Japan. Having returned to China, she would continue to engage in revolutionary activities, and was ultimately beheaded by the Qing authorities in July 1907 at the age of 31. Martyrdom made her into a legend. More than a century later, bound feet belong to another age and kerchieves stained with blood and tears have become an overused trope in revolutionary literature. Still, Qiu Jin’s spirit is more alive than ever in a whole new generation of Chinese feminists who are fighting for women’s rights—a renewed attempt to smash the bell jar of China’s patriarchal society. This issue of the Made in China Journal offers a series of perspectives on the plight and struggles of women and sexual minorities in today’s China.
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Made in China Journal: Volume 3, Issue 4, 2018 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: December 2018
In December 2018, the Chinese authorities commemorated the 40th anniversary of China’s reform and opening up. These four decades of unprecedented economic growth and transformation have been rooted in a fundamental socioeconomic restructuring. Contemporary China has changed from a largely agrarian society predominantly inhabited by peasants, to a rapidly urbanising one, characterised by a floating populace moving back and forth between rural and urban spaces, which are in a continuous state of flux. Going hand in hand with China’s ascent into modernity is the subordination of rural areas and people. While rural China has historically been a site of extraction and exploitation, in the post-reform period this has intensified, and rurality itself has become a problem. This issue of Made in China focuses on the labour that these attempts to restructure and reformulate rural China have entailed, and the ways in which they have transformed rural lives and communities.
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Made in China Journal: Volume 3, Issue 3, 2018 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: September 2018
The previous decade saw widespread discussions about the role of the Internet in reshaping power relations in Chinese society. New media—it was widely believed—would give voice to the poor and downtrodden, allow citizens to better supervise government activity, and foster lively cultural exchanges. Workers would also benefit from this, as the Internet provided them with the tools needed to bring their grievances into the spotlight and enhance their ability to connect with their peers to establish new forms of solidarity. A decade later, what is left of that cyber-utopian discourse? This issue of Made in China offers a series of essays that attempt to answer this question against the backdrop of the latest developments in Chinese politics and society.
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Made in China Journal: Volume 3, Issue 2, 2018 »
Publication date: June 2018
Labour activism has undergone significant transformation in China over the last decade. Between the mid-2000s and mid-2010s, an increase in labour protests seemed to herald a growing and more self-confident labour movement. A series of high-profile collective actions that took place in the early 2010s brought forward a time of renewed optimism, during which the public debate on Chinese labour came to be dominated by the idea of China’s workers ‘awakening’ and taking their fate into their own hands. Far from the optimism of those years, today the effects of economic slowdown and the tightening of civil society have thrown China’s workers into a state of uncertainty and disorientation, and the Chinese labour movement has once again found itself at an impasse. This issue of Made in China takes a look at the current conjuncture.
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Gilded Age »
Made in China Yearbook 2017
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: April 2018
According to the Chinese zodiac, 2017 was the year of the ‘fire rooster’, an animal often associated with the mythical fenghuang, a magnificently beautiful bird whose appearance is believed to mark the beginning of a new era of peaceful flourishing. Considering the auspicious symbolism surrounding the fenghuang, it is fitting that on 18 October 2017, President Xi Jinping took to the stage of the Nineteenth Party Congress to proclaim the beginning of a ‘new era’ for Chinese socialism. However, in spite of such ecumenical proclamations, it became immediately evident that not all in China would be welcome to reap the rewards promised by the authorities. Migrant workers, for one, remain disposable. Lawyers, activists and even ordinary citizens who dare to express critical views also hardly find a place in Xi’s brave new world. This Yearbook traces the stark new ‘gilded age’ inaugurated by the Chinese Communist Party. It does so through a collection of more than 40 original essays on labour, civil society and human rights in China and beyond, penned by leading scholars and practitioners from around the world.
Made in China Journal: Volume 3, Issue 1, 2018 »
Publication date: March 2018
On 12 May 2008, a 7.9 magnitude earthquake hit Wenchuan county, Sichuan province. Felt as far as Beijing, the tremors caused horrific damage: 69,229 people died and 17,923 went missing. Yet, the aftermath of the seism was also a time of hope—with Chinese citizens from all over the country outdoing each other to show solidarity with the victims. As local governments began to recognise the importance of NGOs in providing disaster relief and social services, 2008 was widely seen as a ‘Year Zero’ for Chinese civil society. At that time, hardly anybody could have foreseen the wave of repression against civil society that was to come and that is today the norm. This issue looks back at the legacy of this disaster, and the ways in which state and civil society actors renegotiate their positions during ‘states of emergency’.
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Made in China Journal: Volume 2, Issue 4, 2017 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: December 2017
This issue includes a series of essays that examine different declinations of precarity experienced by Chinese workers. The contributions explore precarity from both conceptual and empirical points of view, focussing on aspects such as the nexus between precarious work and migration, the contentious relationship between precarity and class, new divisions of labour in the Chinese workplace, the consequences of layoffs in the state sector, and the fallout of the ongoing environmental crackdown.
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Made in China Journal: Volume 2, Issue 3, 2017 »
Edited by: Ivan Franceschini, Nicholas Loubere
Publication date: September 2017
In today’s globalised and interconnected world, Chinese labour issues have become much more than merely a local matter. With China’s political and economic power increasing by the day, it is imperative not only to assess how this growing influence affects labour relations in other countries, but also to abandon an ‘exceptional’ view of China by engaging in more comparative research. In this sense, the study of Chinese labour indeed provides a powerful lens—or perhaps a mirror—to further our understanding of the contemporary world and our potential futures. With this aim in mind, in this issue we publish a series of essays that either frame Chinese labour comparatively or examine its transnational implications.
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Made in China Journal: Volume 2, Issue 2, 2017 »
Publication date: June 2017
In June 2017, the government of the United States announced its intention to withdraw from the Paris Accords, severely undermining the global effort to contain climate change. Since then, China has entered the fray, attempting to portray itself as a world leader on environmental issues. While global attention has focussed on China’s top-down environmental efforts, this issue considers the engagement of Chinese citizens with state policies on the environment, and looks into their potential for articulating workable grassroots alternatives. In particular, we consider the management of public resources—the so-called ‘commons’.
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