This volume of Human Ecology Review represents an internationally diverse range of human ecology research and practice. Diansyah, Abas, and Sakawi present a review of community forest management in Southeast Asia and its impacts on biodiversity conservation community livelihoods. Flagg and Rudel survey national differences in proposed greenhouse gas emission reductions and relative levels of fossil fuel dependencies.

Since its announcement in 2013, the Belt and Road Initiative (BRI) has become the main lens through which both observers and stakeholders trace China’s global footprint. Whether cheered on as a new engine of economic development in a fraught and increasingly unequal world or frowned on as a masterplan through which the Chinese authorities are attempting to establish global hegemony, the infrastructure component of the BRI has become such an important frame in discussions of Global China that less tangible aspects that are not in its purview tend to be lost or overlooked.

Agenda is a refereed, ECONLIT-indexed and RePEc-listed journal of the College of Business and Economics, The Australian National University. Launched in 1994, Agenda provides a forum for debate on public policy, mainly (but not exclusively) in Australia and New Zealand. It deals largely with economic issues but gives space to social and legal policy and also to the moral and philosophical foundations and implications of policy.

In 1975, M.R. Kurkrit Pramoj met Mao Zedong, marking the eventual establishment of diplomatic relations and a discursive rupture with the previous narrative of Communist powers as an existential threat. This book critically interrogates the birth of bamboo (bending with the wind) diplomacy and the politics of Thai détente with Russia and China in the long 1970s (1968–80).

Living Art: Indonesian Artists Engage Politics, Society and History is inspired by the conviction of so many of Indonesia’s Independence-era artists that there is continuing interaction between art and everyday life. In the 1970s, Sanento Yuliman, Indonesia’s foremost art historian of the late twentieth century, further developed that concept, stating: ‘New Indonesian Art cannot wholly be understood without locating it in the context of the larger framework of Indonesian society and culture’ and the ‘whole force of history’.

In the first two decades of the Cold War, Australia fought in three conflicts and prepared to fight in a possible wider conflagration in Southeast Asia and the Pacific. In Korea, Malaya and Borneo, Australian forces encountered new types of warfare, integrated new equipment and ideas, and were part of the longest continual overseas deployments in Australia’s history. Working closely with its allies, Australia also trained for a large conventional war in Southeast Asia, while a significant percentage of the defence force guarded the Papua New Guinea–Indonesian border.