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Rosalie Gascoigne »

A Catalogue Raisonné

Authored by: Martin Gascoigne
Publication date: 2019
Rosalie Gascoigne (1917–1999) was a highly regarded Australian artist whose assemblages of found materials embraced landscape, still life, minimalism, arte povera and installations. She was 57 when she had her first exhibition. Behind this late coming-out lay a long and unusual preparation in looking at nature for its aesthetic qualities, collecting found objects, making flower arrangements and practising ikebana. Her art found an appreciative audience from the start. She was a people person, and it pleased her that through her exhibiting career of 25 years, her works were acquired by people of all ages, interests and backgrounds, as well as by the major public institutions on both sides of the Tasman Sea.

Australian Journal of Biography and History: No. 1, 2018 »

Publication date: December 2018
The Australian Journal of Biography and History seeks to promote the study of biography in Australia. Articles that appear in the journal are lively, engaging and provocative, and are intended to appeal to the current popular and scholarly interest in biography, memoir and autobiography. They recount interesting and telling life stories and engage critically with issues and problems in historiography and life writing.

The Lives of Stories »

Three Aboriginal–Settler Friendships

Authored by: Emma Dortins
Publication date: December 2018
The Lives of Stories traces three stories of Aboriginal–settler friendships that intersect with the ways in which Australians remember founding national stories, build narratives for cultural revival, and work on reconciliation and self-determination. These three stories, which are still being told with creativity and commitment by storytellers today, are the story of James Morrill’s adoption by Birri-Gubba people and re-adoption 17 years later into the new colony of Queensland, the story of Bennelong and his relationship with Governor Phillip and the Sydney colonists, and the story of friendship between Wiradjuri leader Windradyne and the Suttor family. Each is an intimate story about people involved in relationships of goodwill, care, adoptive kinship and mutual learning across cultures, and the strains of maintaining or relinquishing these bonds as they took part in the larger events that signified the colonisation of Aboriginal lands by the British. Each is a story in which cross-cultural understanding and misunderstanding are deeply embedded, and in which the act of storytelling itself has always been an engagement in cross-cultural relations. The Lives of Stories reflects on the nature of story as part of our cultural inheritance, and seeks to engage the reader in becoming more conscious of our own effect as history-makers as we retell old stories with new meanings in the present, and pass them on to new generations.

Drawing in the Land (Terra Australis 49) »

Rock Art in the Upper Nepean, Sydney Basin, New South Wales

Authored by: Julie Dibden
Publication date: 2018
Drawing in the Land offers an important contribution to the field of rock art research and Australian archaeology. It provides a detailed study of the previously under-examined rock art of the Hawkesbury/Nepean area of New South Wales. The study presents a detailed historiography of Australian rock art research and, through the lens of landscape archaeology, offers an innovative contribution to rock art studies in the wider Sydney Basin. The volume’s theoretical focus on materiality, embodied practice and performance allows for the charting of ideational change and provides a unique contribution to the late Holocene archaeology of NSW and contact archaeology within Australia more broadly.

Indigenous Efflorescence »

Beyond Revitalisation in Sapmi and Ainu Mosir

Publication date: 2018
Indigenous efflorescence refers to the surprising economic prosperity, demographic increase and cultural renaissance currently found amongst many Indigenous communities around the world. This book moves beyond a more familiar focus on ‘revitalisation’ to situate these developments within their broader political and economic contexts. The materials in this volume also examine the everyday practices and subjectivities of Indigenous efflorescence and how these exist in tension with ongoing colonisation of Indigenous lands, and the destabilising impacts of global neoliberal capitalism. Contributions to this volume include both research articles and shorter case studies, and are drawn from amongst the Ainu and Sami (Saami/Sámi) peoples (in Ainu Mosir in northern Japan, and Sapmi in northern Europe, respectively). This volume will be of use to scholars working on contemporary Indigenous issues, as well as to Indigenous peoples engaged in linguistic and cultural revitalisation, and other aspects of Indigenous efflorescence.

Aboriginal History Journal: Volume 42 »

Edited by: Ingereth Macfarlane
Publication date: 2018
In this volume, Peter Sutton provides a survey of the articles published by linguist Dr Luise Hercus (1926–2018) in Aboriginal History, honouring the contribution she has made to the journal since its inception. The seven articles this year highlight the wealth of sources that feed into historical research of Indigenous Australia. The role of performance in the events organised by the National Aborigines Day Observance Committee (NADOC) in 1957–67 in Sydney shows up the contest between state assimilationist goals and Indigenous participants’ insistence on distinction, continuity and survival (Jonathon Bollan and Anne Brewster). The then radical agenda – in a protectionist policy regime – of the advocacy group, the Aborigines’ Protection League in South Australia in the 1920s–30s, is examined in a detailed study of the group’s campaigns and campaigners (Rob Foster). A picture of colonial reception of Aboriginal performance and the public assertion of local Aboriginal cultural priorities in 1893 Darwin is developed in the historical contextualisation of a collection of Aboriginal artefacts found in the Marischal Museum, Aberdeen (Gaye Sculthorpe). A nuanced analysis of the relationship between the Catholic Benedictine Mission at New Norcia and the Western Australian Native Welfare Department draws on the correspondence between the Abbot of New Norcia and A.O. Neville (Elicia Taylor). A large body of reader responses to a recent online article on the deep history of Aboriginal Australia provides a way to map the strengths and weaknesses in the general Australian public’s apprehension of that long history (Lynette Russell and Billy Griffiths). A spatial history argues against the concept of ‘fringe camps’ and for a pattern of demonstrable continuities between precolonial, colonial and recent Aboriginal people’s favoured camp places and the locations of urban contemporary park spaces in Brisbane and townships in south-eastern Queensland (Ray Kerkhove). In the format of an interview, the themes concerning the writing of Aboriginal history and contemporary political debates that are developed in Tim Rowse’s recent book Indigenous and Other Australians since 1901 (2017) are explored (Miranda Johnson and Tim Rowse). Aboriginal History Inc. is a publishing organisation based in the Australian Centre for Indigenous History, Research School of Social Sciences, The Australian National University, Canberra. For more information on Aboriginal History Inc. please visit aboriginalhistory.org.au.

The Archaeology of Sulawesi »

Current Research on the Pleistocene to the Historic Period

Publication date: November 2018
The central Indonesian island of Sulawesi has recently been hitting headlines with respect to its archaeology. It contains some of the oldest directly dated rock art in the world, and some of the oldest evidence for a hominin presence beyond the southeastern limits of the Ice Age Asian continent. In this volume, scholars from Indonesia and Australia come together to present their research findings and views on a broad range of topics. From early periods, these include observations on Ice Age climate, life in caves and open sites, rock art, and the animals that humans exploited and lived alongside. The archaeology presented from later periods covers the rise of the Bugis kingdom, Chinese trade ceramics, and a range of site-based and regional topics from the Neolithic through to the arrival of Islam. This carefully edited volume is the first to be devoted entirely to the archaeology of the island of Sulawesi, and it lays down a baseline for significant future research. Peter Bellwood Emeritus Professor The Australian National University

The Promise of Prosperity  »

Visions of the Future in Timor-Leste

Publication date: 2018
For the people of Timor-Leste, independence promised a fundamental transformation from foreign occupation to self-rule, from brutality to respect for basic rights, and from poverty to prosperity. In the eyes of the country’s political leaders, revenue from the country’s oil and gas reserves is the means by which that transformation could be effected. Over the past decade, they have formulated ambitious plans for state-led development projects and rapid economic growth. Paradoxically, these modernist visions are simultaneously informed by and contradict ideas stemming from custom, religion, accountability and responsibility to future generations. This book explores how the promise of prosperity informs policy and how policy debates shape expectations about the future in one of the world’s newest and poorest nation-states.

Pacific Exposures »

Photography and the Australia–Japan Relationship

Publication date: 2018
Photography has been a key means by which Australians have sought to define their relationships with Japan. From the fascination with all things Japanese in the late nineteenth century, through the era of ‘White Australia’, the bitter enmity of the Pacific War, the path to reconciliation in the post-war period and the culturally complicated bilateralism of today, Australians have used their cameras to express a divided sense of conflict and kinship with a country that has by turns fascinated and infuriated. The remarkable photographs collected and discussed here for the first time shed new light on the history of Australia’s engagement with its most important regional partner. Pacific Exposures argues that photographs tell an important story of cultural production, response and reaction—not only about how Australians have pictured Japan over the decades, but how they see their own place in the Asia-Pacific. ‘Pacific Exposures presents the first study of the photographic exchanges between Australia and Japan—its photographers, personalities, motivations, anxieties and tensions—based on a diverse range of archival materials, interviews, and well-chosen photographs.’ — Dr Luke Gartlan, University of St Andrews ‘[Pacific Exposures] will become a key text on Australia’s interactions with Japan, and the way that photographs can inform cross-cultural relations through their production, consumption and circulation.’ — Prof. Kate Darian-Smith, University of Tasmania

The Bounty from the Beach »

Cross-Cultural and Cross-Disciplinary Essays

Publication date: October 2018
The Bounty from the Beach is a collection of cross-disciplinary essays, capitalising on a widely shared fascination for the Bounty story in order to draw scholarly attention to Oceania. It aims to reorient the Bounty focus away from the West, where most Bounty narratives and studies have emerged, to the Pacific, where most of the original events unfolded. It investigates the Bounty heritage from the standpoint of the beach, Greg Dening’s metaphor for culture contact and conflict in the Pacific Islands: this liminal place that transforms Islanders and voyagers, islands and ships, each time it is crossed. It analyses the way newcomers create new islands, and how these changes may occasionally impact the world. This volume examines the ‘little people’, to use another of Dening’s expressions, who stand ‘on both sides of the beach’: they are Polynesian or European or, as beaches are crossed and remade, no longer one without the other, but bound together in processes of change. Among these people are Bounty sailors, beachcombers, Pitcairners and indigenous Pacific Islanders of the past and the present. This collection also explores the works of some renowned Western writers and actors who, turning mutineers after their own fashion and in their own times, themselves crossed the beach and attempted to illuminate the ‘little people’ involved in the Bounty narratives. These prominent writers and actors put the spotlight on characters who were silenced on account of race, class or geographical distance from the dominant centres of power. Inspired by Dening’s empowering voice, our purpose is to fill that silence. Just as it criss-crosses the ocean, progressing with the ship through time and space, The Bounty from the Beach ranges far and wide across disciplines, methodologies and scholarly styles. Its multidisciplinary course contributes to illuminate the multiple ways in which the Bounty heritage embraces diverse horizons. It throws light on the colonial discourse that undertook to stifle Pacific Islander agency, and the neocolonial policies that have been applied to Oceania, and still are: hegemonic moves that have led to global environmental, nuclear and ecological hazards. As a whole, the collection contends that what unfolds in this vast ocean matters: the stakes are high for the whole human community.