Drawing in the Land offers an important contribution to the field of rock art research and Australian archaeology. It provides a detailed study of the previously under-examined rock art of the Hawkesbury/Nepean area of New South Wales. The study presents a detailed historiography of Australian rock art research and, through the lens of landscape archaeology, offers an innovative contribution to rock art studies in the wider Sydney Basin.

In this volume, Peter Sutton provides a survey of the articles published by linguist Dr Luise Hercus (1926–2018) in Aboriginal History, honouring the contribution she has made to the journal since its inception. The seven articles this year highlight the wealth of sources that feed into historical research of Indigenous Australia.

In this first issue, a diverse range of essays primarily relates to questions of individuals and the contexts in which they functioned, the ‘middle ground’ between a life and the times. Four of them concern Australian women who operated and negotiated various fields of endeavour, only one of which—the role of headmistress of a girls’ school—was unambiguously a woman’s domain. The profile of Miss Annie Hughston (1859–1943) shows how a strong figure could have a disproportionate influence on women entering male bastions.

Indigenous efflorescence refers to the surprising economic prosperity, demographic increase and cultural renaissance currently found amongst many Indigenous communities around the world. This book moves beyond a more familiar focus on ‘revitalisation’ to situate these developments within their broader political and economic contexts. The materials in this volume also examine the everyday practices and subjectivities of Indigenous efflorescence and how these exist in tension with ongoing colonisation of Indigenous lands, and the destabilising impacts of global neoliberal capitalism.