In 2014, New York-based artist Lois Conner gifted one of pioneering Chinese artist Zhang Peili’s last paintings to The Australian National University’s newly opened Australian Centre on China in the World. Never exhibited and thought lost, the reemergence of Flying Machine (1994) prompts an exploration of the relation between painting and video in the oeuvre of Zhang Peili.

‘The island world of Melanesia—ranging from New Guinea and the Bismarcks through the Solomons, Vanuatu, and New Caledonia—is characterised more than anything by its boundless diversity in geography, language and culture. The deep historical roots of this diversity are only beginning to be uncovered by archaeological investigations, but as the contributions to this volume demonstrate, the exciting discoveries being made across this region are opening windows to our understanding of the historical processes that contributed to such remarkably varied cultures.

This monograph reports the results of archaeological investigations undertaken in the Northern Moluccas Islands (the Indonesian Province of Maluku Utara) by Indonesian, New Zealand and Australian archaeologists between 1989 and 1996. Excavations were undertaken in caves and open sites on four islands (Halmahera, Morotai, Kayoa and Gebe).

Water reflects culture.

This book is a detailed analysis of hydrological change in Australia’s largest inland waterway in Australia, the Gippsland Lakes in Victoria, in the first 70 years of white settlement.

Following air, water is our primal need. Unlike many histories, this book looks at the entire hydrological cycle in one place, rather than focusing on one bit. Deftly weaving threads from history, hydrology and psychology into one, Following the Water explores not just what settlers did to the waterscape, but probes their motivation for doing so.

International Review of Environmental History takes an interdisciplinary and global approach to environmental history.  It encourages scholars to think big and to tackle the challenges of writing environmental histories across different methodologies, nations, and time-scales. The journal embraces interdisciplinary, comparative and transnational methods, while still recognising the importance of locality in understanding these global processes.

Dictionaries of national biography are a long-established and significant genre of biographical and historical writing, existing in many forms across the globe. This book brings together practitioners from around the English‑speaking world to reflect on national biographical dictionary projects’ recent cultural journeys, and the challenges presented to them by such developments as the transition to a digital environment, a new alertness to the need to represent diversity, and the rise of transnationalism.

Open hostilities in the Korean War ended on the 27th of July 1953. The armistice that was signed at that time remains the poignant symbol of an incomplete conclusion – of a war that retains a distinct possibility of resuming at short notice.

So what did Australia contribute to the Korean War from June 1950 to July 1953? What were the Australians doing there? How significant was the contribution and what difference did it make? What has that meant for Australia since then, and what might that mean for Australia into the future?

Mickey Dewar made a profound contribution to the history of the Northern Territory, which she performed across many genres. She produced high‑quality, memorable and multi-sensory histories, including the Cyclone Tracy exhibition at the Museum and Art Gallery of the Northern Territory and the reinterpretation of Fannie Bay Gaol. Informed by a great love of books, her passion for history was infectious. As well as offering three original chapters that appraise her work, this edited volume republishes her first book, In Search of the Never-Never.

‘What I have sought to do in my work is to give voiceless people a voice, place and purpose, the sense of dignity and inner strength that comes from never giving up no matter how difficult the circumstances. History belongs as much to the vanquished as to the victors.’
— Brij V. Lal

‘Professor Brij Lal is the finest historian of the Indian indentured experience and the Indian diaspora. His Girmitiyas is a classic.’
— Emeritus Professor Clem Seecharan, London Metropolitan University

Drawing in the Land offers an important contribution to the field of rock art research and Australian archaeology. It provides a detailed study of the previously under-examined rock art of the Hawkesbury/Nepean area of New South Wales. The study presents a detailed historiography of Australian rock art research and, through the lens of landscape archaeology, offers an innovative contribution to rock art studies in the wider Sydney Basin.